Showing posts with label writing groups. Show all posts
Showing posts with label writing groups. Show all posts

Friday Speak Out!: The Wednesday Morning Writing Group

Friday, March 22, 2024
by Dena Rueb Romero

The sun streams in the large windows of Jane’s house. Outside, winter still reigns, but as members of the Wednesday Morning Writing Group, we are oblivious to the weather. We first met in 2009 in a memoir writing class, and when the class ended, decided that writing personal stories was something we needed to do. Of the thirty plus students in the class, fifteen agreed to meet twice a month and to continue writing.

Today, fourteen years later, six writers sit around Jane’s dining room table. Of the first fifteen members, some have died or moved away. We have gotten older, and some of us have health issues. When Covid prevented us from being together in person, we met on Zoom and were grateful we could still see and support each other. For those who stayed, WMWG continues to provide something we haven’t found elsewhere, and we convene once a quarter.

We range in age from 65 to 85 and come from different backgrounds, but we share the desire to describe our lives – happy, sad, humorous, challenging– in memoir. We trust each other and have the confidence to read our essays to the group. Writing and fond caring hold us together. Just as good friends pick up where they leave off, so we resume when we meet, whether on Zoom or in person.

Why do we write? Some of us want a larger audience, through either self-publishing or submitting to an established publisher. Mostly, however, we write for ourselves, to hold onto an event or experience and examine it for meaning. The reward is often a new understanding or perspective.

It is hard work, requiring time, inspiration, and self-discipline. It means throwing out first attempts, starting over, and walking away when words and ideas don’t come together the way one hoped. Sometimes the subject of an essay reveals itself, sometimes it becomes apparent while writing, and sometimes it feels like pulling teeth. Yet the process can be satisfying, especially when five, ten, even fifteen pages resolve into a finished essay.

Our writing group gives us structure and a deadline. If you have signed up to read at the next meeting, your piece must be ready, even if only as a rough draft. Bringing an unfinished piece is acceptable, for group members will offer ideas to help finalize the writing. The support is invaluable.

This morning Jane will read about her trip to France, and Stuart has a long piece about his recently deceased brother. We are at Jane’s long table, each with a cup of tea or coffee, ready to listen, make suggestions, and highlight sections that are especially well-written. And I am delighted to report that my own book will be released shortly, thanks to the support and encouragement from the Wednesday Morning Writers Group.

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Dena Rueb Romero grew up in Hanover, New Hampshire, the daughter of a Lutheran mother and a Jewish father, both refugees from Nazi Germany. She graduated from Brandeis University and received an MA in English from the University of Virginia and an MSW from Boston College Graduate School of Social Work. Her previous publications include Gretel’s Albums, a collaborative bilingual internet project with researcher Bernhild Voegel (www.birdstage.net/kleeblatt), and an essay about German citizenship in A Place They Called Home: Reclaiming Citizenship, Stories of a New Jewish Return to Germany. All for You is her first full-length book. Dena still lives in Hanover. Find her online at Facebook

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Friday Speak Out!: My Sh*tty First, Second, Gulp, Fifteenth Drafts or What I Learned from Years in Writing Groups

Friday, July 31, 2020
by Libby Ware

Ann Lamott, in her writing guide, Bird by Bird, advises writers to move forward without editing until reaching the end of a “shitty first draft.” I’ve tried this approach and I’ve also written a chapter, taken it to my writer’s group, revised it, and then moved on to the next chapter. There are advantages and disadvantages to each approach. But whichever method is used, a warning is due.

I started my first novel in the mid-nineties. It arose out of a short story with a minor character demanding that his story be told. My story about Lum, a white intersex Appalachian woman had a character, Smiley, who was a Black peddler in the same community. So I took off with his story, initially calling it a novella. I noticed that writers often mislabel novels as novellas until they realize that there’s more story than they thought. I started a workshop run by a writer who is an excellent editor. We could turn in pages every week, and then we’d have a chance to read to the group every three to four weeks. My optimal plan was to give her pages one week, get back her comments the next week, and then revise based on her input. Then take it to the class and revise with their suggestions. That plan went along well until I got to the end. Then I started all over again. And then I workshopped the whole thing over again. And I joined another more casual writers group, so I was getting even more feedback. Other writers were also bringing their work back for their third or more read through.

I met an agent at the Atlanta Writers Conference who, after reading the whole novel, advised me that there was not enough connecting Lum and Smiley. She suggested either adding more association between them, or separating the novel into two. Lum’s story is about a spinster not having her own residence, but moving from one relative’s house to another as they need her for child care, housework, hog killing, etc. I decided Lum deserved her own story and I pulled her chapters out, only to find that I didn’t have enough for a full novel. I added new material; and, instead of taking new chapters back again and again, they got one pass only with the teacher and were seen once by the class and the other group.

I think workshop leaders do their writers a disservice by encouraging or just not discouraging three or more readings of the same material. Over-revising can take the freshness and energy out of a piece. Also, a lot of time can be spent revising chapters that may not end up in the finished book. And for every time it’s brought back, someone will find something that needs to be changed.

Libby Ware is the author of the award-winning novel LUM and co-author with Charlene Ball, under the pen name of Lily Charles, of Murder at the Estate Sale, to be published August 15, 2020.

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photo by Amy Gibbons
photo by Amy Gibbons 
Libby Ware is a member of Antiquarian Booksellers Association of America and president of Georgia Antiquarian Booksellers Association. She is a fellow of The Hambidge Center for Creative Arts and Sciences. Her debut novel, LUM, won the American Library Association’s Stonewall Honor Book in Literature, a gold medal by the Independent Publishers Association, and was a finalist for Lambda Literary’s Debut Novel Award. With Charlene Ball, she writes the Molly and Emma Booksellers Series under the pen name Lily Charles. Their first title in the series, MURDER AT THE ESTATE SALE, is due out from Black Opal Books in August 2020. Find them at lilycharles.com
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Do you believe you can?

Sunday, March 12, 2017
Recently I heard an interview with a female engineer about her role in the documentary "Dream Big: Engineering Our World." The movie stresses the importance of creativity in jobs like engineering and other STEM career choices. When the interviewer asked which courses kids could take to help be successful in a career like engineering, she gave a surprising answer. The key to success in these careers did not rest in a single course, but "believing in yourself."

According to BusinessDictionary.com, self-efficacy is a person's belief about his or her ability and capacity to accomplish a task or to deal with the challenges of life. Albert Bandura, Ph.D., a social psychologist who coined the term self-efficacy, believes that ability is not fixed. He breaks down the process of improving self-efficacy through accomplishing, observing, imitating and verbal reinforcement.

Verbal reinforcement can also play a role in self concept, which is determined, at least in part, by the messages we hear about ourselves. Everyone reading this has probably been told at one time that she or he is a good writer. This news may have come from a teacher, parent, friend, or stranger, which made it even better because that person had no vested interest in complimenting you.

Your self-concept may be that you are a writer, your self-esteem is the way you feel about it, and your self-efficacy is the ability to believe you can succeed as a writer. Without self-efficacy, your exceptional skills and talent won't take you to the next level because you don't believe you belong there.

Writing and/or critique groups can help a writer achieve all the steps necessary to increasing self-efficacy. When the group loves your writing, you have accomplished a goal, and hear about that success (verbal reinforcement). When someone else in the group succeeds, you realize it is possible. When a great story is broken down into understandable steps, you can imitate that process.

So what are you telling yourself about yourself? I love the old saying "Whether you think you can or can't, you are correct." Our thoughts affect our behavior, and our behavior determines our success. So what do you think?

Mary


Mary Horner is a freelance writer and editor and the author of Strengthen Your Nonfiction Writing. She teaches communications at St. Louis and St. Charles Community Colleges.
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Friday Speak Out!: Writing Group: 5 Great Reasons to Join

Friday, February 10, 2017

by Barbara Crane

“If you ask me what I came to this world to do as an artist, I would tell you, as an artist, I came to live out loud.” 

- Emile Zola, quoted by the actress Viola Davis at the 2017 Golden Globe Awards

To live out loud. That’s why I joined a writing group. I was filling pages of journals with my wanderings. A flyer came in the mail. It announced a writing group starting in a writer’s home forty miles away from mine—that’s forty freeway miles on Tuesday mornings in Los Angeles rush hour traffic.

I went once and never left. What do I have to show for it? Two published award-winning novels, several award-winning short stories, and lots of pages filled with memories, travel, family, aspirations, disappointments…a full life on paper. A life and an imagination lived out loud.

Why join a writing group? Consider these five pluses.

1—You are taken seriously as a writer once a week. My family sees me as wife, mom, and sister…the list goes on. My writing group sees me, first and foremost, as a writer. If I record my challenges on paper—in journal, memoir or fiction form—my struggles are taken seriously too. I am assured of a fair hearing based on my skills as a writer.

2—You learn what works and what doesn’t. I may think I’ve written the great American paragraph. My writing group may agree—or not. Whatever their verdict, I use their critique to make myself a better writer.

3—You may get valuable advice on publishing. To be honest, my writing group focuses on getting better at the craft of writing rather than on publishing. But members always are willing—and able—to help me on my path toward putting my work out into the world. I’ve received aid on every aspect of publishing, from drafting a query letter to getting an agent, to the pros and cons of self-publishing. In a group of writers, someone is bound to have the answer.

4—You get critique and support. Face it. You have to be willing to listen to some criticism if you want to grow as a writer. Your writing group will give you honest feedback, positive as well as negative. Because the feedback is given in an atmosphere of trust, critique is easier to accept. And then, you can choose to take their suggestions or not. You are in charge.

5—You have unlimited time to learn. When you sign up for a class, you have a semester. When the class ends, you decide ‘Do I sign up again?’ Will I learn something new a second time around? A writing group continues for as long as the leader wants to lead. People join or drop out, exposing you to diverse points of view. You learn and keep learning.

My writing group has given me the opportunity to live out loud. My wish: You’ll find a group that lets you live out loud too.

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Barbara Crane’s most recent novel, When Water Was Everywhere, won a Beverly Hills Book Award. She happily lives in Long Beach, CA with her husband, close to family and friends. 
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Why You Should Connect with Other Writers

Tuesday, December 08, 2015
I’m an introvert, plain and simple. Sure, I enjoy conversing with other people well enough, but stick me in a crowd of people I don’t know very well and I clam up pretty easily. Writing conferences intimidate me and I right now don’t belong to any critique groups. So when I was first asked to participate in panel discussion on how to make money freelance writing, I hesitated. I knew the organizer, but not any of the other three panel, which included an award-winning poet and a YA novelist. Would I really be able to sit down and have dinner with several people I didn’t know and then stand in front of 100 or so people and tell my story?

As the day of the event approached I grew more and more nervous. I typed and deleted notes on my topic, writing for magazines. I doubted myself. Did I really have enough experience to be giving advice? But a funny thing happened while I worked on my presentation, which fortunately, was low-tech and didn’t require me to do anything like running a PowerPoint. I looked over how much I have accomplished since I sold my first freelance article back in 2004 and it added up to a pretty well-rounded resume. I was pretty proud of myself, actually.

That confidence waned the night of the event—when I didn’t leave work early enough and got stuck in rush-hour traffic on the way to the restaurant where I was supposed to meet the other panelists for dinner. I arrived late, only to find that both organizers were even later than me, so it all worked out. We left the restaurant and headed over to the church for the event. As the room filled up, my mouth grew dry. We each had about eight minutes to talk, and then there was a Q&A session afterward. I got through my spiel and was surprised when several audience members had questions specifically for me and my "Do's and Don'ts of Pitching Magazines." I found I really enjoyed talking about my experiences in the industry and the time flew by. After the panel was over, I relaxed and chatted with even more of the audience members. In fact, we all had such a great time that the church had to kick us out so they could lock up the building. I guess you could call that a success—plus I got a free dinner and small stipend for my time.

So while it’s hard for me to put myself out there and attend events like these, I do see the benefit and won’t hesitate if I’m asked to do it again. I will also probably be joining the local chapter of the Women’s National Book Association soon, as some very persuasive members were there and did their best to recruit me. Twist my arm.

Renee Roberson is an award-winning freelance writer with a successful business, Finished Pages. She has written hundreds of online and print articles and columns on a variety of topics, and loves to blog about all things related to books, movies, music and celebrity gossip and writing. She also works as a magazine editor and helps authors publicize their books as a blog tour manager for WOW! Women on Writing.
My fellow panelists: Karon Cuddy, Alice Osborn, (me) and Mica Gadhia.
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Friday Speak Out!: See the Forest—Not Just the Gorgeous Trees

Friday, May 09, 2014
by Sioux Roslawski

Sometimes writers benefit from a checklist. With my recently-finished manuscript in hand, I was checking off boxes all willy-nilly on my checklist. And my checklist, like everything else in life, I was doin' Sioux-style.

Print off my manuscript—all 153 pages and 82,814 words of it—just because I want to see the stack of papers in all its black and white glory (and because I love using big binder clips)? Check.

Send off my manuscript to a great editor-friend before it's truly ready? Check.

Beg—and convince—my writing critique group to read it, even though it's a hot mess? Check.

Decide that really, it's ready to send to a publisher because it's just that good, even though none of my beta readers have finished it nor have they given me feedback, but what a time-saver it will be because I can snag a publishing contract while my friends are still affixing (all glowing) post-its on the pages of my manuscript? Check. Then, uncheck.

Read the comments my critique group members have sent me? Realize they are saying the same thing I was telling myself—deep down inside? Understand that within the hot mess is something worthwhile? Check. Check. Check.

In the last six months I've floated down the river Denial. I've arrived at the lake of Reality. And I now realize that—probably like most novel-writing authors (except for writers like Jodi Picoult and Joe Hill—grrrr!)—I have lots of hard work ahead as I delete tens of thousands of words . . . as I begin my story from a different point of view . . . as I begin from (almost) scratch.

Now what I can check off my checklist—with lots of personal experience—mustering the momentum necessary to complete a manuscript. My WIP took almost as long as it took Harper Lee to write her classic. And yet hers has lived on for decades, and mine is threatening to self-combust.

As I begin to begin the revising, the deconstructing, I understand that I only saw the snarky, snort-worthy parts, the poignant parts that I was sure would move the reader—I couldn't see my story (the forest). I couldn't see that it lacked a cohesiveness, that it only made sense to me.

Now I'm making a new checklist: Determine the point of view. Create a story arc. Make the story more me (which means there will be generous servings of snark).

It'll be a good long while before I can check things off on this to-do list. But I'm patient . . .

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Sioux Roslawski is a third grade teacher, a freelance writer, a dog rescuer for Love a Golden and a future novelist. Her stories have appeared in Chicken Soup for the Soul and Not Your Mother Book collections. More of her writing can be found at http://siouxspageblogspot.com
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Friday Speak Out!: DIY Project: Build Your Own Writers’ Group, Guest Post by Carolyn Boyette Lewis

Friday, February 21, 2014
When a small town writer finds there’s no writers’ group for camaraderie and critique of her writing-in-progress, it’s time for a DIY writers’ group project.

It’s not as difficult as you may think, so shush those inner doubts. Assure yourself you have the ability to do it. Put on your Superwoman persona and go for it!

Here’s how you do it:

Find a room where you can hold an informational meeting—perhaps at the public library, a coffee shop, your church, or a classroom.

Choose a day and time you think is convenient for other writers to meet.

Write a press release announcing a meeting to form a writers’ group. Include the date, time, and place, plus your contact information, in case people have questions. E-mail the press release to all print and online newspapers in your town. Ask them to publish it in community announcements as well as list it in their calendar. If your group is a Christian writers’ group like mine, send the press release to churches in your area also.

Arrive early for the meeting so you can greet people. Come prepared to chair the meeting with a simple agenda. This is helpful whether there are four people or two dozen.

Here are some points for your agenda.

1. Purpose: Discuss the purpose of the group. Decide if it is mainly for encouragement, critique, or learning writing skills. Or perhaps it will be a combination of these.

2. Officers: Will you have formal officers or will members take turns filling roles for the meetings? If informal, plan for a monthly facilitator to chair the meeting and to send out publicity ten days before the meeting. If you have a learning segment, plan for a monthly lesson presenter.

3. Dues: As a group, decide whether you will have on-going expenses that require dues or membership fees. Some groups do. Other groups handle needs that arise by a free-will offering.

4. Food: Will you serve refreshments or not? Will individuals bring their own if they wish?

5. Regular meetings: Select a regular meeting time that works for all. (Ex. third Tuesday 6:30-8:30 p.m. or second Saturday 1:00-3:00 p.m.)

6. Meeting format: What elements will you include in meetings? Will manuscripts for review be provided ahead of time (perhaps by e-mail) or will they be handed out at the meeting? How many pages will be allowed for review—perhaps three pages per member?

Our Christian writers’ group uses this format:
     10-15 minutes to share successes, struggles, announcements, etc.
     10 minutes for devotions
     15-20 minutes for a skill-builder lesson on the craft of writing
     Remainder of time—Feedback Forum to review writing-in-progress.

Even small towns usually have enough people interested in writing to build your own writers’ group.

So, what are you waiting for? Go do it!
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Carolyn Boyette Lewis is a wife, mother, grandmother, and retired teacher whose love of writing bloomed in high school and continues today. She lives in a small town in southwestern New Mexico where she recently started a group for writers. Having started two groups for writers, she can confirm that most writers can accomplish this task. Currently, she is focusing on editing a book of poems she has written over the years.
Connect with Carolyn at sclew514@yahoo.com; https://www.facebook.com/carolyn.b.lewis.5; and Sclew's Views.

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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How to Find a Critique Group

Monday, February 18, 2013
Some groups provide lots of written comments!
It’s one thing to know that you should probably belong to a critique group.  It’s another thing to find one. Start out by looking wherever you find other writers.

Writers’ organizations.  If you belong to a writers guild or other writers’ organization, they may have ongoing critique groups or a system in place to help writers create new groups.  I belong to such a group sponsored by the Society of Children’s Book Writers and Illustrators, Missouri Region.  It was my first face-to-face critique group.

Meetings or Conferences.  People don’t always talk up their own groups at events like these, but they are great opportunities to meet other writers that you can invite to start a group.  This is how I connected with my second group, the Ladies of the Gordian Knot.

Online.  Many of us “meet” our fellow writers online in discussion groups, on blogs, or on Facebook.  Interact with your fellow writers then approach them about creating a group.  A group doesn’t have to meet face to face; as a grad student, my only critique group was via e-mail.

As you try out various groups or work to create your own, here are some things to keep in mind.

  • Look at what people write. Picture books are different novels.  If you are the only novelist, you might not get the help you need from a group of picture book writers.
  • Ask why they write. People who write to publish often have different goals than people who write just for the fun of creating a story.
  • Look at their publishing choices. If your focus is traditional publishing, a group focused on self-publishing may not meet your needs.  Variety can be good, but if you are the only one providing that variety, you might need to look elsewhere.
  • Learn the ropes.  Every group works differently.  Some read their work aloud.  Others pass it out ahead of time and return it with comments but also discuss it.
  • Be ready to give.  A critique group is different from a critique service.  If you only want feedback but don’t want to critique for others, find a freelance editor.  This attitude isn’t fair to the other writers.

Not every group will be right for you.  You may even like everyone in a group, but still not get what you need.  It’s a lot like dating that way.  Sometimes you have chemistry and sometimes you don’t. If the first or second group you try lacks this chemistry, don’t give up.  A good critique group is worth the wait and the effort.

–SueBE

Find out more about Sue's writing on her blog, One Writer's Journey
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Do You Know all that the Center for Writing Excellence Offers? Read On!

Thursday, December 06, 2012

Today on The Muffin we welcome Janie Sullivan, one of the founders of the Center for Writing Excellence (C4WE), which was started in November 2009, as one of four divisions of the Institute for Instructional Excellence (I4IE). The C4WE offers writing contests and a free monthly e-newsletter written by contributors who can advertise their own websites along with their articles, and free classified ads are available to all subscribers. They have webinars and some online writing classes that are currently being revised and will become available later in the year 2013.

Janie says, "My business partner, Sheri Schmeckpeper, and I had always wanted to run our own school; so when we realized that our jobs, which were funded by a government grant at the local community college, were going to end, we decided it was time to start our school. The other divisions of I4IE are The Center for Teaching Excellence (C4TE), The Center for Excellent Living (C4EL), and the Center for Learning Excellence (C4LE). The C4WE has grown from a simple blog to a very functional website offering services like editing, writing, and ghost writing."

WOW: Welcome, Janie, to WOW! We are excited to have you with us today and talking about all the Center for Writing Excellence has to offer, so let's get started. Let's start with your Fiction in Five contests. You just had one at the beginning of December, and the next one is scheduled for February. How do these work?

Janie: The Fiction in Five contest is a prompt driven flash fiction contest. Writers can enter anytime up to the deadline, which is always the Friday before the first Monday of the month. The contest runs the first Monday-Friday (five days) of every other month. I send three prompts and a list of six random words to the writers at 9:45 a.m. on the first morning of the five-day contest. The contest officially starts at 10:00 a.m. The writers choose one prompt and use it along with all six random words in the story. Sometimes I use a picture as one of the prompts. The writers then have five days (until Friday at 10:00 p.m.) to write and submit their 700-1,000-word story based on the prompt. There is a $5 entry fee, which I use to pay for the cash and other prizes for the winners.

Right now, first place is $25, second place is $15, and third place is a mouse pad and note pad. All winning stories are published on the website and in the annual anthology. Honorable mention winners are mentioned on the website and published in the anthology. All winners get an e-copy of the anthology when it comes out. All winners also get a nice certificate. The idea is to grow the contest to the point, where I can offer bigger cash prizes. The judges all volunteer, but I do share the profits with them at the end of each contest year.

WOW: This is a great idea--writers will have a finished story in a week! It's kind of a like a shortened version of NaNoWriMo for short story writers. I love it! How does this contest help writers?

Janie: The thing I hear the most from the writers is the challenge of the contest. They like the prompts and the random words, plus the discipline of having to meet a word limit and a time limit. As with any writing contest, this is a great opportunity to hone skills, learn to work under deadline pressure, and explore new ideas through prompts.

WOW: It sounds great! But this is not the only contest you offer. The historical fiction contest is currently going on with a January 1 deadline. Tell us about this contest and how writers can enter.

Janie: This one is a bit different in that writers can enter any time after the genre of the contest is announced (usually two months before the deadline). They can submit their story with the entry fee ($10) or enter the contest to hold their place and submit the story before the deadline. The contest deadline is always the first day of every other month (opposite the Fiction in Five months). There is a different genre for each contest. The first one was Spiritual Fiction, and then we had Young Adult Fiction, then Crime Fiction, and now Historical Fiction for January.

WOW: Great, so basically, you are offering some type of contest each month, and it sounds like you appeal to a wide range of writers! What are the prizes like for the genre contests?

Janie: The genre contest is a bigger contest in terms of words (1500-2000) and prizes. First place wins $50, second place is $25, and third place is $15. There is also a limit to how many entries we will take in this contest. We feel that with only fifty slots available, the writers will have a better chance of winning. And as this contest grows, the prizes will also grow. Winners are also published in the anthology and on the website.

WOW: I know a lot of writers love the prize of money and publication! How can you beat that? For many writers, it is one of their first publications. For others, it's a chance for their shorter works to appear in print. I think all these opportunities you are giving writers is WONDERFUL!  So, you have an anthology published each year? What types of material are in it?

Janie: The anthology comes out every summer. All the winning stories from the previous contest year, plus author bios and photos, are published in the anthology. The anthology coming out next summer will be the third annual publication and the biggest one yet. Winners get a free e-copy of the anthology, plus a substantial discount if they want to purchase the hard copy. It is available on Lulu Press as well as at Amazon.

WOW: Great opportunities for writers--tell us about the cover art contest.

Janie: Several of the writers have mentioned either knowing artists or being artists themselves, so I thought it would be fun to have artists submit their original, writing-themed artwork for the cover design. The way this one will work is anyone interested can enter anytime between now and June 1, 2013. At that time, I will publish all the entries on the website and set them up for voting. People can come in and vote (once a day) for the cover art they like the most. The designs will be posted for one month and on July 1, I will announce the winner. There is a $5 entry fee and the winner will get 80 percent of the entry fees as the prize. The winning entry will be published on the cover of the Third Annual Center for Writing Excellence Fiction Anthology, along with a bio and photo of the artist.

WOW: How cool and what a great idea! Anything else you'd like to share about the Center for Writing Excellence?

Janie: Just that this is the most fun I have ever had. I have always been a writer as well as a teacher. I am able to combine my love for both in the Center. It has grown and evolved a lot in the past three years. I have met writers all over the world through the newsletter, contests, and blog. I have been able to share the lives of some of my writers through editing their books (one was just recently published) and reading their stories. While I don’t judge the stories in the contest, I do read them all. And I do owe WOW! a bit of credit for getting me started. I was one of the first teachers when you started offering writing classes. I had so much fun doing that it inspired me to start my own website. In fact, one of my students in that first class at WOW! is now a regular contributor to my newsletter!

WOW: Well, Janie, you are welcome. You are offering some wonderful opportunities for writers, and we can't wait to see how much the Center for Writing Excellence grows!

Now writers, what are you waiting for? Get your historical fiction short stories written and mark your calendar for the Fiction in Five February contest! Or sign up for the FREE newsletter, where you can also advertise your writing business or book for free! 

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Five Benefits of a Writing Group

Monday, December 19, 2011
A Group of One's Own / A resource
to help start a successful writing group
Last week I heard a presentation by Charlene Pollano, co-author of A Group of One's Own: Nurturing the Woman Writer, about starting and managing a writers' group. (If you are considering creating a writers' group, Pollano's book is great place to start.) During the discussion that ensued, many of the writers attending mentioned the inner workings of their own writers' groups. Some grumbled while others praised their groups.

There are rules and regulations that vary from group to group--some attempt three critiques per two hours along with written feedback. Making a commitment to a writing group was also an important element of joining a group--can you commit to twice a month or just once a month?

During the discussion, I realized how niceties and courtesies can improve the experiences of writers in a group. However, critiquing can be tough. All the participants of the group underscored the need for creating guidelines for contributing to a group--including the type of feedback to provide writers to make the group worthwhile and it was evident that all of us approach writing groups for different reasons.

While some might make changes to their writing groups, Pollano mentioned specific benefits for being a part of a writing group. Based on Pollano's book, she mentioned that members of a writing group:

  1. Provide a built-in network of people who can understand and support your writing.
  2. Help to validate you as a writer.
  3. Give objective, constructive feedback.
  4. Encourage productivity...deadlines, deadlines, deadlines!
  5. Share ideas and can assist with networking
What are the reasons you might join a writing group? What benefits do you want from a writing group?


Elizabeth King Humphrey writes and edits from coastal North Carolina. Follow her on Twitter at @Eliz_Humphrey.
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Friday Speak Out!: Rewriting My Way, Guest Post by Sue Bradford Edwards

Friday, December 16, 2011
Rewriting My Way

by Sue Bradford Edwards

When an agent asked me to rewrite my middle grade novel, I agreed. After all, her recommendations would really up the tension. Fortunately, I knew enough not to simply run with her comments. Some things I would do verbatim. For others, I studied what didn’t work and came up with my own solutions. When I was done, I had made her suggestions my own and planned how to rework the manuscript.

Now, I simply had to fit the project around my deadlines. I wasn’t sure how to do this and went to my writing friends for help.

Donna told me that big projects need big blocks of time. I couldn’t rent a cabin to work for a solid weekend, but I made Friday into Rewrite Day, a reward for finishing my paying jobs. Fridays came and Fridays went, but the words didn’t flow although rewriting is probably my favorite part of writing. Maybe I needed another solution.

Back to my writer friends.

When I tried another friend’s weekly word goal, it worked to a point. I made my word count, but it was a slog, put off until the last minute each and every Friday. This type of effort shows in my writing. I knew something had to change for this rewrite to work.

When my critique group met, I whined about the problem to Stephanie Bearce, who’s also working on a middle grade novel. “We’ll both finish our drafts by November,” she said. “We’ll tell everyone in the group and have their support.”

I ignore public goals on a regular basis, but this was different. We would both be working toward a deadline. That made it competitive. Competitive I can do, if I could get my rewrite moving.

But how? I whined some more to Stephanie. “Every Friday, I have so much trouble getting back into my story after not working on it for a whole week.”

To her credit, Stephanie didn’t even roll her eyes as I realized that the goals weren’t the problem. Working on it only once a week was the problem, at least for me. I needed to work on the project more often.

Instead of putting off my rewrite until Friday, it would be the first writing I did for 30 minutes every day. It wouldn’t be the reward for a week well spent, but a treat to get me going.

And it worked. Because I worked on the story daily, I easily slipped back into my character’s head. Sure, I still had deadlines, but I only worked on them after working on the novel. This inspired me to quit playing around and write.

My original weekly word goal? I exceeded it, and I reached the end of the story the 1st week in November.

All it took was a solution that suited me and the way I work.

* * *

Sue Bradford Edwards is a writer and book reviewer who creates scenes in her home office in St. Louis, Missouri. Read her work at Education.com and Prayables.com. To find out more about her or her writing, visit her blog, One Writer's Journey (http://suebe.wordpress.com/), her book review blog, The Bookshelf (http://suebe2.wordpress.com/), or her website (http://www.suebradfordedwards.com/).
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Writing Resources on Google + (aka Why I'm Using Google +)

Tuesday, August 16, 2011
photo by basketman @ freedigitalphotos.net
Google + is quickly becoming my favorite social media site ever! I know, that’s a big claim, especially since there are plenty of social media sites I’ve never used, and some I’ve never even heard of.  But Google + is the all of my favorite aspects of facebook combined with all of my favorite aspects of Twitter. 

Facebook Similarities/Differences
I like using facebook because it’s easy to communicate with other people.  I like to write on a friend's walls or share links with all of my friends.  But facebook is my connection with personal friends and family, and I deliberately don’t have many writing connections there.  Sometimes I share links about writing or my writing, which would be appropriate for sharing with professional writing “friends,” but sometimes I also like to share stories about my puppy or what I made for dinner, and that wouldn’t be professionally acceptable.

On Google +, you put your “friends” into different circles (aka groups).  So if you have writing news you want to share with everyone, professionals and family, you can create a public post.  If you just recorded an adorable video of your toddler pulling all of the toilet paper off the roll and running down the hall naked, you have the option of sharing that with just your close friends and family. 
Twitter Similarities/Differences

I like Twitter because I follow a lot of professional writers, agents, publishers, and other writing professionals who give great tips and links.  I can follow any of these people or companies, but they don’t have to follow me in return unless they want to. 

The condensed, 140-word posts make the messages easily digestible, but I find it more difficult to make comments and have conversations.  Although I have caught on to the @ symbol, I haven’t yet fully learned the etiquette of hash tags. Many Twitter posts look like a foreign language to me.

On Google +, I have discovered a huge community of writers and others in the writing business who share great links and writing tips. I feel comfortable adding strangers to my circles because I know there’s no pressure for them to put me in their circles in return, unless they want to. 
It has been easier to have discussions with other writers because of the more straightforward, facebook-like wall discussions that aren’t riddled with cryptic symbols. Although I have not yet done this, groups of writers can “huddle” and speak in real-time with multiple people at once.
What Do You Think About Google +?

Google + is still in beta testing, so there are occasional glitches, but overall I'm very excited about it.  Have any of you tried it yet? I’d love to know what you think!

And I’d love to add more writers and aspiring writers to my circles!  Check out my profile here and add me to your circles, or leave me a message below and I'll circle you.  Feel free to ask me any questions about Google +. I've only been using it a few weeks, but it’s fun to figure out new Google + functions and capabilities together.
Lists of Writers on Google +
These writers are already using Google + and seeking new writing connection.

GalleyCat's List of Writers
Novelist and Aspiring Novelist List
Literary/Book People List

Other Google + Resources

Guides and Tips for Newbies on Google +
How to Share a Book on Google +

Connect with Anne Greenawalt
Google +
Twitter
Website
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What "Level" Are You?

Sunday, July 17, 2011
At a writer networking event that I organize, I had a brief discussion with an attendee I'll call James. Although I kind of understand what James is requesting, I wanted to get your thoughts, dear reader, about levels of writers.

I arrange for speakers to attend a monthly meeting of regional writers. As you may remember from previous posts, the attendees had initially wanted to become a critique group. But I'm voluntarily arranging these meetings for a writers' organization that wants us to keep them open; a critiquing group would effectively close the meetings off from others in the public to join in and come to the meetings whenever they can.

James wants me to figure out a way to provide a networking "exchange" for writers and paid editors. He wants writers in this group to be able register and to self-rank themselves (beginner, intermediate, advanced OR amateur and professional). The registration enables the writer to get a different level of access to an editor and would serve to "network" various writers with one another. His belief, as an admitted amateur, James told me, is that beginning writers should be in a group with other beginners and amateurs with amateurs.

My gentle argument with James was that while I'm a published writer, I still consider myself an amateur (because I'm still trying to get my fiction published). Where did I fit into his levels idea? And, if we did manage to slot all the regional writers into a level, I would much rather be in a writers' critique group with writers who will challenge me, regardless of their self-reported level. Maybe others feel the same? I don't know.

What do you think about putting yourself into a "level" for your writing? And why? What kind of writers do you like to have in your critique group--ones just like you or a mixture? Why?

Elizabeth King Humphrey is a writer and editor living in Wilmington, N.C., and working towards her University of Chicago editing certification...in all her free time.
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The Right Tools for Planning a Writing Group

Saturday, May 14, 2011
Yep, using the right tools for planning a writing group can make it a whole lot easier. In my on-going attempts to set up and continue the regional writing group (a three-county section of the larger state organization), I had done all the "right" things: I had a list of members from the area; I had a list I collected at the first meeting; I had agreement from a used bookstore to use their backspace on a regular basis.
I started looking at e-newsletter programs, convinced that was the direction I should be going. I needed those tools to help build my writers' group. After all, this was going to be a expanding group. Even if I was volunteering for it, being around writers and creatives the cost would be worth it. But I couldn't decided on a program to use. Email would have to be my right tool. A week before the meeting, I rushed to send out an email to re-cap our first meeting and setup the second meeting. I asked the folks what they wanted to do and figured our second meeting would be spent hashing out the details about who was branching off into critique groups and who wanted to attend our programs presented by local writers.
I arrived at the meeting place and time. The bookstore had written in wobbly chalky penmanship "Writing Group Tonight" on its sandwich board outside. Passers-by, I was told, were expressing interest. It all seemed like it was coming together, I thought as I waited for the group to appear.
(The suspense is building!)
How exciting that this was actually happening, I thought during my second half-hour of waiting.
I started calling my husband at that time and was willing to sit it out longer, I would just double-check what I wrote in my email. Maybe I'd put the wrong time? The wrong place?
The more I searched my email folders, the more I realized: I hadn't sent it out, at all? Could that have really been the case?
Without getting into details, I drafted another email. This time, I hit send (cc-ing myself as a guarantee) and the responses started floating in.
Now, if I can make sure that I have a speaker for next time, we'll be doing well and, hopefully, growing our little group. And getting back to writing.

What tools do you recommend for keep in touch with a group? What tools have worked for you? And has it every happened to you...when you thought you'd sent an email and you hadn't?


Elizabeth King Humphrey, who is in the midst of a month-long blogathon at The Write Elizabeth, is a writer in North Carolina.
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Adventures in Creating a Writers' Group, Part 2

Thursday, April 21, 2011
It's only a few hours since I met with those interested in joining the writers' group I mentioned in a previous post. As you may recall, I'm a regional (three-county) representative for a statewide writers group.

My list of preparations for the gathering started with great intentions. I had planned to email everyone I had on my list and get confirmations. I had planned to sort out a few writing exercises to introduce and had a bunch of ideas for clever, memorable introductions. I had even planned to pass out little goodies at the end.

Time worked against me and suddenly the day arrived and I had yet to accomplish any of my goals. Fortunately, the statewide group had sent an e-newsletter and a local reporter had picked up on it.

We met in a little-traveled, back area of a used bookstore. The staff was incredibly accommodating and the owner was thrilled to let us use the space. She's agreed to our meeting every two weeks.

Other preparations I made included reading up on setting up a writers' group. However, part of the restriction I have is, as a representative of an organization, I have to think of a more open format than an invitation-only situation. But in the interest of the 7 folks who showed up (including the author of a book on starting a writers' group). The introductions included the question: What do you want to get out of this group? This was a talkative bunch and we were rarely at a loss for words.

The majority were looking for a critique group with lukewarm interest in seminars on marketing, self-publishing, or hearing from successful writers. (There was interest...just not a lot.)

I'll detail some of the formats and inner-workings of critique groups in my next post.

My question this week is if you were interested in joining a writers' group, would you look for a critique group exclusively or would you want to join a group that might have writing exercises one week, a visiting writer the next and a few critiquing workshops intermingled?

Elizabeth King Humphrey is a writer and editor living in coastal North Carolina.

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Adventures in Creating a Writers' Group, part 1

Saturday, April 09, 2011
Last fall, I volunteered to represent member writers in my three-county region for a statewide organization. Having spent several years staring at and typing into my computer, I've been wanting to re-energize myself by re-connecting. (I love how interconnected we can all be virtually, but I also know that I appreciate seeing and meeting folks. Don't you?)
Whenever I can, I like to attend Tweetups or support local writers at their readings. While I can't always afford the time or money to attend writing conferences, I knew that I had something to offer if I could reach out to my local writing community.
I was getting excited about the prospect of meeting more folks and getting reconnected with area writers.
Then I hit a bump in the smooth road to creating the writers group. One of the difficulties I didn't think I would face in my area was finding a meeting space for our group. I don't know why I thought it would be easy.
Due to budget constraints, libraries in our area now charge to borrow a room. Some local businesses didn't have the space; church spaces were fully booked or required a fee.
Finally, I sent a direct tweet to a small, independent bookstore that had been shuttered for a little while because of structural problems in its old location. But in a world of Internet bookstores, the store not only managed to re-open in a new space, but the outpouring of community support provided dozens of book-carrying community members who helped to cart books to the new location.
I'm not sure why I tweeted the bookstore, but I still grin thinking about the owner's enthusiastic response. There were many exclamation points. Then she responded that she thought the area could use more writers' groups.
Indeed. I think we've found a home for our group.
So, we're off on the adventure of a new community of writers...meeting in person. We're not quite sure of the structure yet.
Now that we've tackled the meeting place question, any ideas that have worked for you in creating a writers' group? Anything to look out for? I'd love to hear your thoughts.

Elizabeth King Humphrey is a writer and editor living in coastal North Carolina.
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Finding Members of Your Genre

Thursday, August 12, 2010
I firmly believe that good writing is good writing. Therefore I believe that a children's book author can critique a mystery manuscript, a romance writer can critique a science fiction manuscript and vice-versa. But a writer in your same genre can add something extra. As a writer in, say the mystery genre, the assumption is they know and read lots of mystery. So, while your friend who writes romance may be able to say "There's a hole in the plot in Chapter 2" or "Your minor characters are a little shallow" someone who writes in your genre can see things others might not. Looking at your writing through the eyes of your genre they can recognize when you're imitating another writer's style, when your main character seems like a rip off on another character, or when you aren't following the format readers in your genre expect.

So find yourself a friend who writes in your genre. But what if you can't? My writers group has people to critique my historical novel but no fellow mystery writers for my cozy mystery. So what's a girl to do? Get yourself to a computer. Oh wait, you're already on a computer! There are plenty of organizations that link genre writers around the country--around the world--together. Here are a few you should check out:

Mystery Writers of America

Sisters in Crime

Romance Writers of America

National Association of Memoir Writers

Science Fiction and Fantasty Association

Thriller Writers Inc. http://www.thrillerwriters.org/
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In the Company of Friends

Thursday, April 29, 2010
In the past, I've written how little time I've had to join a writers' critique group. Recently I read an account in the North Carolina Writers' Network newsletter about another woman's experience with joining a writing group with two other women.
It seemed to confirm my hesitancy to join or develop a group. (Why else would I make excuses for having too little time to honor my writing?)
I had figured that I didn't need a group to support my writing, even though it's been a few years since I worked with a reader or anyone else willing to read or support my fiction writing. Putting your writing into the company of friends is wonderful; putting your writing in the hands of strangers is like jumping off a cliff with your eyes closed, hands tied and...well, I can think of several other uncomfortable comparisons.
In the newsletter story, the writer tells how she met two women at a writing conference. She was asked to join with the two others to create a writers group. However, the narrator explains how once the meetings started, neither woman in her group were supportive of her writing or as her situation as a mother. Instead of finding the positive in her writing, each lead with the dismissive comments and negatives.
Apparently, after that, they never moved into the positives.
After a particularly difficult meeting, happily, the narrator never met with the ladies again.
However, reading this account didn't make me less of a fan of writing groups. It made me more of a fan of the groups, selectively chosen.
Perhaps I wasn't convinced about the writing groups because I'd never found writers--at or above my own level--to join. The folks involved need to critique in a supportive, meaningful and positive way--my writer's ego is fragile enough as it is.
So, I've decided that I'm going to approach some of my writing friends to join me and build a group.
Do you belong to a writers group? If so, how did you find your friends? If not, why not?

A creativity coach, Elizabeth King Humphrey contributes to AOL's ParentDish and blogs at The Write Elizabeth, delving into creativity in everyday places.
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An (Early) Valentine to Premium-Green

Friday, February 13, 2009
I just received a contract in the mail for a writing job, thanks to Premium-Green, WOW!’s freelance market guide. I LOVE Premium-Green! And in honor of Valentine's Day, I simply must count the ways:

1. I LOVE the way I have access to detailed information about markets. PG doesn’t just list writer’s guidelines. It provides market demographics, a magazine’s editorial, and even specific editor needs, which helps me better target my pitch. And the pay scale for the market is always right there in boldface print. Always good to know!

2. I LOVE the way PG revs up my writing career. Want to experience a live pitch session? PG recently had a pitch fest for WOW! Looking to try something new? Check out the Writers Wanted section. Need incentives? PG has ongoing contests (with premium prizes!)

3. I LOVE the way I can get instant answers to writing questions. There’s always a PG sister online who’s willing to share her expertise. Even if I’m burning the midnight oil, the California crowd is just finishing dinner!

4. I LOVE the way that these generous PG writers are there to congratulate, commiserate, support, or just listen. My PG sisters have given me the push I needed more than once. And when they send those “Yay! Doing the happy dance for you!” messages, I know they’re really dancing!

Mostly, I LOVE the way that I’ve grown as a writer since joining PG. I thought I’d find a few humor markets, but what I found was the confidence and know-how to take my writing further than I ever imagined. I love thee, Premium-Green, from the heights of my self-esteem to the breadth of my Paypal account. And if my Inbox has another contract waiting, I will but love thee more after I’m paid!

XXOO,
Cathy

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Cathy C. Hall writes humorous columns, essays, articles and fiction and is published in all kinds of fascinating places. You can follow her funny ups and downs on the road to publication at cathychall.blogspot.com. And if you’re interested in children’s writing, you’ll find her searching for publication at cathychall.wordpress.com.
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Are You Looking for an Accountability Partner?

Wednesday, August 27, 2008
Recently in the Premium-Green discussion group, a member asked how she could find an online accountability partner for her writing. She'd been doing well with querying and submitting, but felt she needed that extra kick in the butt. We've all felt that way, haven't we? Here are a few simple steps to help you find an accountability partner and hold each other accountable.

Join a Writer's Community

First, you will need to join a writing group geared toward the type of writing you want to focus on. If it's fiction, then find a fiction list-serve in Yahoo or Google Groups, or join an online forum, such as Absolute Write. If it's freelance writing, communities like Premium-Green and Freelance Success, for example, have very supportive members. There are a ton of writing groups to choose from (too many to list!), so take time to try them out and find one that fits your needs.

After you've become familiar with the group and found another member with similar goals, ask them if they'd like to be your accountability partner. Most writers in groups are looking for the support of other writers to help them realize their goals. The person you ask doesn't have to have the exact same goals as you do, she just needs to be as dedicated and motivated as you are. She has to be serious about her career as a writer. And if you can, choose someone more experienced than yourself.

Set Up a Google Calendar

After you hook up with an accountability partner, set up a shared calendar on Google. Fill in your deadlines--whether it's word count, page count, or due dates for querying, submitting, promoting, and article writing. You can set your calendar to private, so only you and your partner can see each other's deadlines. You can also set up your calendar to send you email reminders before the deadline passes. I usually set it up for a day in advance to remind me that I better get my butt in gear and finish the project!

Follow Up: Make sure you both follow up with each other (by phone call or email) whenever a project is due. You can also add comments to their calendar dates on the detail page to continue the discussion. That way, you have a record of it on the calendar. And, when you know someone else is looking at your calendar, you're less likely to ignore it! And if you do ignore it, you know your partner will send you an email or call you to kick your butt.

Annette and I have several calendars going at once. I can see hers, and vice versa. Also, Team WOW! uses a Google Calendar for our blogging schedule. Sometimes we miss our blog days, but you can be assured that we hear about it! For instance, I missed my blog day last Sunday because I was having computer problems. While that is a legitimate excuse, I still feel bad about it because all my teammates know it was supposed to be my day. That proves it's working!

What About Twitter?

I'm not a tweetie-pie, but it seems like Twitter would be the perfect forum for an accountability partner...if you don't get sidetracked. LOL. Perhaps, someone should make a group for NaNoWriMo on Twitter, or for freelance deadlines. If there already is one, let me know! Maybe, I'll get hooked!

The most important thing about an accountability partner is...

Wanting it. There are many platforms and creative ways you can hold each other accountable, but you have to want it. If you simply wait for someone to tell you what to do in life, you'll never get anywhere. You need to hold yourself accountable to some degree first. Then, you can show up as a successful partner to someone else.
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